2016 Gronert, Stefan. „Different Pictures, Art-Theoretical Remarks on the Conceptualization of the Photographic Portrait“ in “With Different Eyes – The Portrait in Contemporary Photography”, group show catalogue published by Die Photographische Sammlung/SK Stiftung Kultur Kunstmuseum Bonn, pp. 126-128, 294-299
Hobbs, Robert. “Barbara Probst: Moment as Multiplicity” in “Barbara Probst, 12 Moments” published by Hartmann Projects, Stuttgart
2015 Ferguson, Russell. „Perfect Likenes“ in „Perfect Likeness: Photography and Composition.“, exh. cat. published by the Hammer Museum, Los Angeles, pp. 30-34
Flower, Isabel. “Perfect Likeness: Photography and Composition.” Artforum, May, 2015, p.190
“…Y Tiempo Se Hizo / … And There Was Time.”, exh. cat. published by Centro de Artes Visuales Fundación Helga de Alvear Cáceres, pp. 164/165, 182, 202, 226, 249, 268
Bajac, Quentin. Gallun, Lucy. Marcoci, Roxana. Hermanson Melster, Sarah; in Photography at MoMA 1960 – Now, published by The Museum of Modern Art, p. 144
Bajac, Quentin. Gallun, Lucy. Marcoci, Roxana. Hermanson Melster, Sarah. in Die Grosse Geschichte der Zeitgenössischen Photographie – 1960 bis heute, published by MoMA and Schirmer/Mosel Verlag, p. 144
Olivares, Rosa. “The Camera Makes the Human” Exit 59, Interview with Barbara Probst, pp.92-101
Maggia, Filippo. “Visions from the North-West.” In Contemporary Photography from North-Western Europe, edited by Filippo Maggia and Francesca Lazzarini, published by Skira, Milano, exh. cat., pp.11, 98-101
Van Duehren, Andreas. “On Indivisibility.” Conversation with Barbara Probst, Text, issue 13, Berlin, p.45-53
Picture Magazin, issue No.1, portfolio
2014 Rosenmeyer, Aoife. “Barbara Probst.” Frieze d/e no.14, May, 2014, p.124
Szalai, Jennifer. “Tiger Mom and Spouse Await the Storm.” International New York Times, Saturday-Sunday, February 1-2, 2014, p.1
Szalai, Jennifer. “Confessions of a Tiger Couple.” The New York Times Magazine, February 2, 2014, pp.34-35
Reust, Hans Rudolf. “Ein Mehrfachporträt in Räumen der Imagination.” Kunst Bulletin, January-February 2014, pp.24 – 31
Gauthey, Clara. “Die Frau ohne Durchblick zeigt’s uns.” Bieler Tagblatt, Saturday February 14, 2014, p.26
Honickel, Thomas. “Allein die Götter können alles sehen.” Photonews, Interview with Barbara Probst, April 2014, pp.14-15
Barbara Probst: “Aufnehmen und Sichtbarmachen/Meditationen über das Material der Fotografie.” in (Mis)Understanding Photography published by Edition Folkwang/Steidl 2015, exh. cat. pp. 30, p. 48/49
Bajac, Quentin. “Migrations and Appropriations: Artists and the Paparazzi Aesthetic.”, exh. cat. published by Fammarion/Centre Pompidou-Metz, pp. 238/239
Schellenberg, Samuel. “Coincidences.” Le Courrier, Geneve, Switzerland, February 8, 2014, p.20
Schmid, Karlheinz. “Aus allen Winkeln.” Kunstzeitung, June, 2014, p.12
“American Scene, Martin Z. Margullies Collection Photography.” exh. cat. Museum of Art, Fort Lauderdale and Nova Southeastern University, p. 99 and cover.
Olivares, Rosa y Asociados Revista Exit, “100 Fotógrafos Europeos.” published by Exit Publicaciones, pp. 310 – 313
Probst, Barbara. “What could have been.” in Punctum, Reflexions on Photography, published by Fotohof Edition and Salzburger Kunstverein, pp.162/163
2013 Sanchez, Gabriel H.. “Barbara Probst.” ArtForum Critics Picks, December 2013
Nancy, Jean-Luc. “L’altro ritratto”, exh. cat. Museo di arte moderna e contemporanea di Trento e Rovereto, pp.13 – 50, 78
Wombell, Paul. “Drone: The Automated Image.”, exh. cat. published by Mois de la Photo à Montréal – 13th edition, p.21, 92
Gopnik, Blake. “Capturing Contingency.” The Daily Pic, Monday December 16, 2013
“Barbara Probst.” The New Yorker, Monday, December 16, 2013, p.14
Schwendener, Martha. “Barbara Probst.” New York Times, November 22 2013, p.C25
Erdman Rasmussen, Jens. “Sculpting in time.” In Barbara Probst published by Hatje Cantz, Germany, pp.68-73
Tillman, Lynne. “Seven Times.” In Barbara Probst published by Hatje Cantz, Germany, pp.108-110
Lunn, Felicity. “Foreword.” In Barbara Probst published by Hatje Cantz, Germany, pp.22-23
Paul, Frédéric. Interview with Barbara Probst in „Barbara Probst“ published by Hatje Cantz, Germany, pp.142-147
2012 Crasemann, Leena. “Barbara Probst.” In Lost Places – Orte der Photographie, exh. cat. Hamburger Kunsthalle. Hamburg, Germany, pp. 17–18, 62–63.
Balko, Viktor. Interview with Barbara Probst in Album, Magazin fur Fotografie, issue #2, pp. 214/215
2011 Campeau, Michel. “Focus sur la Photo Actuelle.” art actuelle, (November/December 2011).
Eden, Xandra. “Persona: A Body in Parts,” exh. cat. Weatherspoon Art Museum, p. 3, pp. 14–15.
Jenkins, Mark. “Stimulating Serendipity.” The Washington Post, May 20, 2011, p. C8.
Reust, Hans Rudolf. “Barbara Probst,” Kunstbulletin, (February 2011), p. 61
Vali, Murtaza. “Barbara Probst @ Murray Guy, New York.” Art Review, (December 2011), p. 123.
Nakamori, Yasufumi. “Between Staged and Documentary.” Interview with Barbara Probst in spot, published by Houston Center For Photography, November 2011, pp.6-11
2010 Björling, Sanna Torén. “Barbara Probst fryser tiden, men byter platsen.” Dagens Nyheter, January 17, 2010, p. 2, 3.
Centerfold in “text” issue, avantgarde, Berlin, pp. 64–65.
Centerfold in Possible Press, September 1 2010.
Cooke, Lynne. “From Site to Non-Site: An Introduction to Mixed Use, Manhattan.” In Mixed Use, Manhattan, exh. cat. Museo Nacional Centro de Arte Reina Sofia, Madrid. Cambridge, MA., pp. 42–45, 59
“Exposure #56,” in Esopus #14, New York, (spring 2010).
Phillips, Sandra S. “Surveillance.” In Exposed, exh. cat. San Francisco MoMA. New Haven, CT., pp. 143, 159.
Poellinger, Clemens. “Verkligheten i olika vinklar.” Svenska Dagbladet, January 18, 2010, pp. 1, 5.
2009 Allbeson, Tom. “Reference and Inference.” Source/Photographic Review, (Summer 2009), pp. 58, 59.
Christians, Lindsay. “Photographer plays with perspective at MMoCA.” 77Square, (January 1¬–7), p. 30.
Colarusso, Gabriella. “M TWITTER W LA PIAZZA.” Repubblica delle Donne, (May 2009), pp. 41–44.
Conti, Riccardo. “Nessun limite per lo sguardo.” Rodeo –Moda e Cultura Contemporanea, (June/July 2009), p. 62.
Hall, Emily. “Barbara Probst at Murray Guy Gallery” Artforum, (Summer 2009), pp. 338, 339.
Lübbers, Britta. “Der zersplitterte Augenblick.” Diabolo, (36/09), p. 5.
Mutti, Roberto. “Quando i fotografi vengono fotografati.” La Repubblica, March 30, 2009, p. xiii.
Nicolin, Paola. “Barbara Probst at Monica de Cardenas.”, (June 2009).
Nolte, Maik. “Die Zweifel des Einäugigen.” Nordwest-Zeitung, March 9, 2009, p. 18.
Remotti, Margherita. “Simultaneous Reality.” bmm/a fashion magazine, (issue 29), pp. 192–95.
Senaldi, Marco. “Barbara Probst, La Fotografia Come Insieme Vuoto.” Flash Art, (October/November 2009), pp. 80–82.
2008 Bianchi, Paolo. “Ästhetik der Fotografie.” Kunstforum International (July–August 2008), pp. 168, 172.
Mudie, Ella. “Interview with Barbara Probst.” Nothing Magazine, (March 2008).
Smith, Roberta. “Smooth and Safe, as Armory Show occupies Pier 94.” The New York Times, March 28, 2008, p. E34.
Van den Valentyn, Robert. “Interview with Barbara Probst.” Junge Kunst (issue 75), pp. 46–49.
2007 Bate, David. “Different Angles.” In Barbara Probst – Exposures, exh. cat. published by the Museum of Contemporary Photography, Chicago and Steidl.
Baum, Rachel. “Partial Views.” Camera Austria/International (97/2007), p. 68.
Berger, Philip. “The Decisive Moments.” Time out Chicago (May 3–9 2007).
Braun, Reinhard. “Barbara Probst” Photo Art (New York), pp.346–49.
Hilgenstock, Andrea. “Lebende Stative” Kunstzeitung (November 2007), p. 26.
Irvine, Karen. “Dissected Moments.” In Barbara Probst – Exposures, exh. cat. published by the Museum of Contemporary Photography, Chicago and Steidl.
“Exposure #33.” Magenta Magazine (Winter 2007).
Meinhardt, Johannes. “Interview with Barbara Probst.” In Barbara Probst – Exposures, exh. cat. published by the Museum of Contemporary Photography, Chicago and Steidl.
Nieland, Wiebke. “Portrait and Interview with Barbara Probst.” Kulturradio Berlin, August 28, 2007.
Scheutle, Rudolf. “Die Zeichen der Zeit.” In Urban Conditions exh. cat. Kulturreferat Munich, 2007, pp. 34–35.
Zetouni, Sigalit. “To Capture a Moment in Time,” Chicago Life, (Spring 2007), p. 24.
2006 Hulme, Emily. “Museum Marvels Await.” AM New York, September 18, 2006, p. 12.
Johnson, Ken. “Barbara Probst.” The New York Times, March 17, 2006, p. E25.
Lytal, Benjamin. “Double & Triple Vision.” The New York Sun, November 28, 2006, pp. 13, 15.
Macdonald, Deanna. “Enjoy a seasonal bite of Big Apple culture.” The New York Sun, December 16, 2006, p. 4.
Nesbett, Peter. “Photography´s Ever-Expanding Present,” Art on Paper (January/February 2006), p. 56, 57.
“New Photography 2006,” GlamCult, September 28, 2006.
Sholis, Brian. “Barbara Probst,” Artforum, (May 2006), p. 292.
2005 Braun, Reinhard. “Should we write a new dispositive?” Zivot Umjetnosti, pp. 72¬–79.
Cotter, Holland. “Fanciful to Figurative to Wryly Inscrutable.” The New York Times, July 8, 2005, p. E31.
Dawson, Jessica. “Barbara Probst: Meet the Swingers.” The Washington Post, March 21, 2005.
Grundberg, Andy. “Loop. What Goes Around…” The Washington Post, March 20, 2005, p. N07.
Jacobson, Louis. “Barbara Probst: Exposures.” City Paper Washington, March 22, 2005.
Lundström, Jan-Erik. “After the Fact.” In After the Fact, Berlin Photography Festival 2005, exh. cat. European Photography and Berlin Photography Festival e.V., Berlin, pp. 150–55, 21.
Nollert, Angelika, et al., Faktor X – Zeitgenössische Kunst in München, (Munich) pp. 128–29, 132, 179, 292.
2004 Artner, Alan. “Focusing on camera in performance art.” Chicago Tribune, November 4, 2004.
Braun, Reinhard. “An Exposure of Photography, Barbara Probst´s Exposures.” Camera Austria/International, pp. 7–18.
Camper, Fred. “Art About Performance Art.” Chicago Reader, December 10, 2004.
Trescher, Stephan. “Möglichkeiten der Selbstreflexion,” In Schnellkurs Kunst der Gegenwart. Cologne, pp. 63–64.
Schwendener, Martha. “Barbara Probst exposures.” Time Out New York (January 29-February 5, 2004), p. 67.
Sholis, Brian. “Three Debuts and a Look Back.” Artleaf (March 2004).
2003 Gockel, Cornelia. “Wahr Was?” Süddeutsche Zeitung, January 20, 2003, p. 40.
Sørensen, Ann Lumbye. “Kunsten som dynamo.” Weekendavisen, July 25–31, 2003, p. 9.
Mentalscape (a library), exh. cat. FOE 156, Munich.
2002 “Barbara Probst: Laura.” In Quivid (city map of Munich with art in public projects), published by the city of Munich.
Boecker, Susanne. “Eine Frau springt durch die Nacht.” Kölner Stadtanzeiger, October 17, 2002.
Braun, Reinhard. “Remaking the Real: Thomas Ruff, Wolfgang Tillmanns and Barbara Probst are transforming the rich tradition of German Photography.” Modern Painters. (Winter 2002), pp. 90–93.
Cordes, Ilse. “Die vielen Wahrheiten der Fotografie.” Cuxhavener Nachrichten, May 4, 2002, p. 15.
“Exposure #6a.” Frankfurter Allgemeine Sonntagszeitung, November 3, 2002, p. 54.
Hansen, Jørgen. “Gensyn med Hollywood.” JyllandsPosten/Morgenavisen, January 12, 2002.
Kernbach, Andreas. “Kunst im Paul-Löbe-Haus.” Blickpunkt Bundestag. Berlin, 2002.
Krogh, Anna and Ørskou, Gitte. “Barbara Probst: stop.” In Hollywood Revisited exh. cat. Aarhus Kunstmuseum, Denmark, pp. 52¬–55.
Nørlyng, Ole. “Billedets fiktive fortœlling.” Observer, January 19, 2002.
Stein, Claudia. “Barbara Probst: Exposures.” Photography Now 3.02. Berlin.
Schessl, Stefan. “Barbara Probst: exposures.” Exh. cat. Kunstverein Cuxhaven, Cuxhaven, Germany.
Schellmann, Jörg. “Barbara Probst exposure #1.” In Double Exposure, exh. cat. New York.
Werner-Art, Lisa. “Mit Qualität, aber ohne Spektakuläres” Dresdener Neue Nachrichten, March 27–28, 2002.
van den Valentyn, Heike. “Barbara Probst: exposures.” In Heute bis Jetzt, Zeitgenössische Fotografie aus Düsseldorf Teil II, exh. cat. Museum Kunst Palast, Düsseldorf, p. 62–67.
2001 Ander, Heike. “Barbara Probst: stop.” In “Countdown.” Exh. cat. Kunstverein München, Munich.
Gögger, Christian. “Bewegte Bilder bewegen die Kunst.” Esslinger Zeitung, June, 30 2001.
Honnef, Klaus. “Die Zeitung überfliegen und andere Bewegungen.” ART. (September
2001), p. 98.
Hoffmann, Gabriele. “Der bewegte Fliesenleger.” taz, August 22, 2001.
Kröner, Magdalena. “Acht.” Kunstforum. (November/December 2001).
“Video, Philosophie, Klang und Kunst.” Rheinische Post, October 10, 2001.
Meister, Helga. “Gestaffelte Wirklichkeit.” WZ, October 5, 2001.
Scheutle, Rudolf. “Barbara Probst: Stop.” In Moving Pictures exh. cat. Galerien der Stadt Esslingen, Esslingen, Germany, p. 114-17.
Sonna, Birgit. “Barbara Probst: Laura.” Part of Art in Public project, Munich.
2000 De Chiara, Laurie and Urabe, Naomi. “transporter.” In exh. cat. About Studio/About Cafe, Bangkok, 2000.
Sachs, Brita. “Rundgang durch Münchner Galerien.” Frankfurter Allgemeine Zeitung, July 29, 2000.
1999 Trescher, Stephan. “Alles Theater/Leuchtkasten als Raum.” In Light Boxes. Nuremberg, Germany, p. 176.
1998 Dreher, Thomas. Barbara Probst: INEXPECTATION. Published by Barbara Probst. Munich, 1998
Barbara Probst: Welcome. Published by Barbara Probst. Munich, 1998.
Barbara Probst: Through The Looking Glass. Published by Barbara Probst. Munich, 1998.
“Was Wirklich Geschah.” In Barbara Probst: Was Wirklich Geschah. Published by Barbara Probst. Munich, 1998.
Hofstetter, Michael. Barbara Probst in der Akademiegalerie 1990. Published by Barbara Probst. Munich, 1998.
Knapp, Gottfried. “28 Millionen suchen einen Künstler.” Süddeutsche Zeitung, September 18, 1998, p. 17.
Roos, Renate. “Barbara Probst in der Galerie Schweins: Der Besucher wächst und schrumpft.” Kölner Stadtanzeiger, September 24–25, 1998.
Schultze, Michael. “Die Ganze Welt.” In Barbara Probst: Was Wirklich Geschah. Published by Barbara Probst. Munich, 1998
Welzer, Harald. “Die Schwatzgemeinde” Artist (February 1998). Die Zeit, special millennial illustrated issue. December 30, 1998, p. 49.
1997 Wolf, Silvio. “Il Luogo e L´Arbitrio.” Tema Celeste (March-April 1997).
1996 Steinweg, Marcus. “Fotografia Nell´Arte Tedesca Comtemporanea.” Exh. cat., Galeria Claudia Gian Ferrari Arte Contemporanea, Milan.
Wutz, Andreas. “Do you really look at me?” In photography after photography, Exh. cat., pp. 242–47.
1995 Ars Viva, Fotografie 95/96. Exh. cat. Cultural Board of the German Industry, Cologne.
1994 Baronikians, Annette. “Künstler werden für ihren Widerspruch belohnt.” Süddeutsche Zeitung, July 16, 1994.
Dattenberger, Simone. “Maschinengewehr zum Kuscheln.” Münchner Merkur, September 10, 1994.
Förderpreise 1993/94, München, exh. cat. Department of Culture, Munich.
Glieve, Gert. “Gegen das schnelle Vergessen.” Abendzeitung Munich, September 10, 1994, p. 7.
Gockel, Cornelia. “Kunst-Tips.” Süddeutsche Zeitung, March 23, 1994, p. 48.
Scharf im Schauen – Aktuelle Kunst in München. Exh. cat. Haus der Kunst, Munich.
Sonna, Birgit. “Barbara Probst: Suggestive Raumbilder.” Süddeutsche Zeitung, August 13-15, 1994.
Sonna, Birgit. “Düsterer Blick in die Vergangenheit.” Süddeutsche Zeitung, September 10, 1994, p. 13.
1993 Hofstetter, Michael. “Hinter den Vorhängen nichts als Vorhäng.” In Barbara Probst Interieurs, exh. cat., Künstlerwerkstatt Lothringerstraße, Munich.
Wutz, Andreas. “Inbilder des Bauens.” In Barbara Probst – Interieurs, exh. cat., Künstlerwerkstatt Lothringerstraße, Munich.
1992 Hoffmann, Justin. “Kunst-Tips.” Süddeutsche Zeitung, July 15, 1992. Modell. Exh. cat. Pasinger Ritterwerke, Munich.
1990 Hoffmann, Justin. “Barbara Probst at the Akademiegalerie Munich.” Artscribe (November/December 1990), p. 94, 95.